Bowdoin College Homepage
Bowdoin College Museum of Art Logo and Wordmark

Advanced Search
Preview image of work. ninety-four facsimiles of manuscript notes, drawings, and photographs contained in box with punched holes forming the title and green flocked interior,  The Bride Stripped Bare by Her Bachelors, Even (The Green Box) 44362

2022.14

Recommend keywords

Help us make our collections more accessible by providing keywords to describe this artwork. The BCMA uses the Getty Art & Architecture Thesaurus to provide consistent keywords. Enter a keyword in the field below and you will be prompted with a list of possible matching AAT preferred terms.

 
 

The Bride Stripped Bare by Her Bachelors, Even (The Green Box)

Export record as: Plain text | JSON | CDWA-Lite | VRA Core 4

Artist

Marcel Duchamp (1887 - 1968);

Title

The Bride Stripped Bare by Her Bachelors, Even (The Green Box)

Creation Date

1934

Century

20th century

Dimensions

1 x 13 x 11 1/16 in. (2.54 x 33.02 x 28.1 cm) box

Object Type

facsimile

Creation Place

Europe, France

Medium and Support

ninety-four facsimiles of manuscript notes, drawings, and photographs contained in box with punched holes forming the title and green flocked interior

Credit Line

Gift of Anne d'Harnoncourt and Joseph Rishel

Copyright

This artwork may be under copyright. For further information, please consult the Museum’s Copyright Terms and Conditions.

Accession Number

2022.14

Object Description

The Green Box is a compendium [the BCMA received ninety-six (96)] of facsimiles notes, sketches, and studies that Marcel Duchamp made between 1912 and 1917 while planning The Bride Stripped Bare by Her Bachelors, Even (The Large Glass), the work that would be the high point of his early career. He worked with professional printers to achieve meticulous reproductions; the papers, inks, and even torn edges exactly match the originals. Duchamp also acted as publisher, overseeing the distribution of an edition of three hundred, plus twenty deluxe copies (including this one) with original notes or drawings included. The contents of the specially designed cardboard box covered with green flocking have no fixed order—readers are expected to sift through on their own and puzzle out the documents’ meanings. Duchamp thought of The Large Glass and The Green Box as complementary creations, and he maintained that neither could be properly studied without examining the other.