In 1933 André Kertész was commissioned to create a series of nudes for a bawdy magazine. He photographed two models in various poses in front of a “fun house” mirror, cropping many images in the series so that only the distorted reflection can be seen. In Distortion #24, however, the mirror is visible, revealing the source of the deformed image. Kertész was already a successful photographer in his native Hungary when he moved to Paris in 1925, befriending the extensive community of artists there. The Distortion series testifies to his engagement with ideas circulating among the surrealists and other avant-garde groups.
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